Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Tuesday, 2 August 2011

Disruptive Technologies - Part 1: How Music Editors Are Related To Steam Engines


I am not into technologies, those that change so ever fast, and always. But I do observe technological trends, along which the development of scientific applications revolves.

And of all trends, perhaps disruptive technologies are the defining path of industrial implications, a linear passage that technological progress almost invariably follows. Though the concept of "disruptive technologies" is only popularized in 1997 by Harvard Business School Professor Clayton Christensen in his best-seller "The Innovator's Dilemma", the phenomenon was already evidenced back in 1663, when Edward Somerset published designs for, and might have installed, a steam engine.

As put forth by Clayton Christensen, disruptive technologies are initially low performers of poor profit margins, targeting only a minute sector of the market. However, they often develop faster than industry incumbents and eventually outpace the giants to capture significant market shares as their technologies, cheaper and more efficient, could better meet prevailing consumers' demands.

In this case, the steam engines effectively displaced horse power. The demand for steam engines was not initially high, due to the then unfamiliarity to the invention, and the ease of usage and availability of horses. However, as soon as economic activities intensified, and societies prospered, a niche market for steam engines quickly developed as people wanted modernity and faster transportation.

One epitome of modern disruptive technologies is Napster, a free and easy music sharing program that allows users to distribute any piece of recording online. The disruptee here is conventional music producers. Napster relevantly identified the "non-market", the few who wanted to share their own music recordings for little commercial purpose, and thus provided them with what they most wanted. Napster soon blossomed and even transformed the way the internet was utilized.

Nevertheless, there are more concerns in the attempt to define disruptive technologies than simply the definition itself.

One most commonly mistaken feature for disruptive technologies is sustaining technologies. While the former brings new technological innovation, the latter refers to "successive incremental improvements to performance" incorporated into existing products of market incumbents. Sustaining technologies could be radical, too; the new improvements could herald the demise of current states of production, like how music editor softwares convenience Napster users in music customization and sharing, thereby trumping over traditional whole-file transfers. The music editors are part of a sustaining technological to Napster, not a new disruptor. Thus, disruptive and sustaining technologies could thrive together, until the next wave of disruption comes.

See how music editors are linked to steam engines? Not too close, but each represents one aspect of the twin engines that drive progressive technologies; disruptors breed sustainers, and sustainers feed disruptors.

This character of sustaining technologies brings us to another perspective of disruptive technologies: they not only change the way people do business, but also initiate a fresh wave of follow-up technologies that propel the disruptive technology to success. Sometimes, sustaining technologies manage to carve out a niche market for its own even when the disruptive initiator has already shut down. Music editor and maker softwares continue to healthily thrive, despite Napster's breakdown (though many other file sharing services are functioning by that time), with products like the AV Music Morpher Gold and Sound Forge 8.

A disruptive technology is also different from a paradigm shift, which Thomas Kuhn used to describe "the process and result of a change in basic assumptions within the ruling theory of science". In disruptive technologies, there are no assumptions, but only the rules of game of which the change is brought about by the behaviors of market incumbents and new entrants. They augment different markets that eventually merge. In Clayton Christensen's words, newcomers to the industry almost invariably "crush the incumbents".

While researching on disruptive technologies, I came across this one simple line that could adequately capture what these technologies are about, "A technology that no one in business wants but that goes on to be a trillion-dollar industry." Interesting how a brand new technology that seemingly bears little value could shake up an entire industry, isn't it?

You are probably asking, why then that no one wants it? Or how true is the money claim to these disruptive technologies? And if it is true, what are the implications to the business practice? How do market incumbents and new entrants behave?

The scope of this article could only let me take the first question. Well, it is not that dominating companies are not visionary to see a disruption is coming. They can't. A disruptive technology is inherently not attractive initially; no one could see how Napster could boom and lead to the thriving market of audio softwares like the music editors and mixers, except the disruptors themselves. Even if one manages to foresee it, the "Innovator's Dilemma" is there to keep them from acting.

And as the books show, technology has always evolved in waves of disruption.




Anh Tuan Nguyen is an Audio4Fun writer who specializes in technology research. This article is the first in the 4-part series on Disruptive Technologies of his.

For more information, please visit http://www.mediamorpher.com.





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Saturday, 2 July 2011

Music Tuesday: Other Music, Terra Naomi and Pete Rock

Summer is finally underway in the northern hemisphere, and while new releases may be slowing down, youtube.com/music is getting busy. Neo-soul songstress Jill Scott graced us with a playlist of her inspirations over the weekend, the ever-charming Alicia Keys celebrates the ten-year anniversary of Songs In A Minor with an invitation to the YouTube community and the music world mourned the loss of Clarence Clemons, the gentle giant who played saxophone with Bruce Springsteen for more than thirty years. Meanwhile, everybody from Bon Iver to Pitbull are releasing new albums today. Later this week we’ll feature a contest, another video premiere and some very special coverage from England’s Glastonbury music festival; be sure to check out youtube.com/music over the weekend for updates.

Other Music recommends...music!
When we started inviting independent record stores to curate playlists of their favorite music, we had no idea that so many of you would be watching. More than 500k views later, Amoeba Music’s playlist is still turning people on to good music, so this month we head to the East Coast to see what’s popping at Other Music, the New York record store known as a home to all things indie, experimental and adventurous. They came up with a creative collection of videos which we’re featuring on the homepage today.



Terra Naomi

One of YouTube’s early music stars, Terra Naomi set the template for many who followed. Her song “Say It’s Possible” featured one of the first crowdsourced music videos; five years later, she’s releasing a new album and a new crowdsourced video, which she’s premiering with us today. The video is directed by Alex Albrecht and made in conjunction with iPhone app Hipstamatic and pulls images from over 10,000 entries from around the world. She also shares a playlist of some of her favorite cover songs of all time.



Smif-n-Wessun & Pete Rock premiere the album Monumental
Smif-n-Wessun (later known as Cocoa Brovaz after a legal dispute over their name) helped define hardcore hip-hop lyricism with a string of successful, critically-lauded albums back in the 1990s. Pete Rock has been in the game just as long, an emcee and producer who helped define jazz-hop alongside acts like A Tribe Called Quest. He went on to become one of the Wu-Tang Clan’s go-to producers, crafting tracks for everyone from Raekwon to Ghostface Killah. Monumental proves the duo’s tag-team rap style is still on lock, while Pete Rock’s production never misses the mark — and often recalls his late, great colleague, the venerated J Dilla. Check it out now, one week before release date.



Sarah Bardeen recently watched “Breakbot - ‘Fantasy’ (Jacques Renault remix).”



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Thursday, 23 June 2011

Best Buy takes on Apple, Amazon with new cloud music service


Best Buy announced “Music Cloud” on Wednesday, a new service that will compete directly with other cloud-based music services from Apple, Amazon, and Google. Best Buy Music Cloud is powered by Play Anywhere and, after a quick sign-up process, users can download the application to their Mac or PC, as well as to an iPhone, Android device or BlackBerry. Once the respective applications are installed, Music Cloud allows you to stream tunes or cache them for offline playback. The free package allows access to the Best Buy Web player only, so you’ll need to cough up $4 per month for the premium package to access your tunes wherever you go.


Read



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Sunday, 19 June 2011

Yahoo! Music launches Android app – Play




Yahoo music has launched a new app called Play in U.S. This app has features like Yahoo! Music news, identify, smart shuffle, social sharing and smart search. This app also has library management that list your music under different categories such as album and artists.
Features of Play Android app by Yahoo music
Get Yahoo Music news about to your favorite artist as you listen to a song
Identify the details about a particular music or music played in a row on the radio or somewhere else
Smart shuffle, creates a custom playlist of the songs according to your mood
Cover art cleanup, analyzes your music library and finds the missing album art
Share the song you are listening to on Twitter or Facebook directly from the app
Smarter search auto-corrects for misspellings when you search for music
This app also has Last.fm scrobbling feature that scrobbles the songs you are listening to the Last.fm history in your account to track it later. Download the app from the Android market for the phones that run Android 1.6 and later for free. This app is only available in U.S
via: Yahoo Mobile Blog



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